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The Illustrated London News, vol. 4, No. 109 (June 1, 1844), p. 354.

…now we come to the dictu mirabile monstrum, in the shape of a little boy of thirteen, who perhaps is the first violin player, not only of his age, but of his siècle. Of late years we have heard some prodigies, in the form of grown persons, as performers on that splendid instrument; but without severally enumerating them, or their merits, we can safely say that little Joachim is equal to any, or all of them, put together. His tone is of the purest cantabile character — his execution is most marvellous, and at the same time unembarrassed — his style is chaste, but deeply impassioned at moments; and his deportment is that of a conscious, but modest genius! He performed Beethoven’s solitary concerto, which we have heard all the great performers of the last twenty years attempt, and invariably fail in. On Monday last its performance was an eloquent vindication of the master-spirit who imagined it, and we might fearlessly add, that in the cadences, composed by the youth himself, there was as much genius exhibited as in the subject which gave birth to them. Joachim plays from memory, which is more agreeable to the eye of the auditor than to see anything read from a music-stand; it seems more like extemporaneous performance, and admits a greater degree of enthusiasm on the part of the instrumentalist. We never heard or witnessed such unequivocal delight as was expressed by both band and auditory.